User manual FENDER REISSUE 62 ESQUIRE

[. . . ] · The power supply cord of this product should be unplugged from the outlet when left unused for a long period of time, or during electrical storms. · Do not drip nor splash liquids, nor place liquid filled containers on the unit. · CAUTION: No user serviceable parts inside, refer servicing to qualified personnel only. · Fender® amplifiers and loudspeaker systems are capable of producing very high sound pressure levels which may cause temporary or permanent hearing damage. [. . . ] The MASTER knob position (setting) is an absolute limit--even when controlling MASTER with MIDI messages. REVERB HA L L + ­ IN G + ­ E NA +­ + ­ Selects a Reverb type and level. The level increases going clockwise within + ­ ­ + each type as illustrated from off (­), to maximum (+). + ­ Reverb Type SPRING ­ ROOM HALL ARENA Description Bright BlackfaceTM Reverb with long decay + ­ Bright room with medium decay Medium-bright hall with long decay Dark frequency response with long decay AR SPR ­ + REVERB + I. MOD F/X ­ R ON AT +­ E T RE MO + ­ ­ + ­ + + ­ + ­ PHASER + MOD. F/X ­ + FL + +­ S CH O Selects a Modulation effect type and level. The level increases going clockwise ­ within each type + illustrated from off (­), to maximum (+). Set a custom as + modulation rate by ­ pressing TAP at least twice at the desired rate. ­ + ­ Modulation Effect Type Description + ­ ­ ­ ++ CHORUS Medium sweep rate with high depth + VIBRATONE ­ Fast rate with medium depth ­ LO VIB A N GE RU ­ +FLANGE ­ TREMOLO + +­ + ­ ­ + PHASER + ­ Fast rate with medium-high depth and duty cycle +­ Slow sweep rate­ with medium depth + Medium sweep rate with medium depth ­ + + ­ + ­ + ­ J. DELAY + DIGI T A ­ T APE + ­ DU + ­ ­ ­ + + Selects a Delay type and level. The level increases going clockwise within each type as illustrated from off (­), to maximum (+). Your new preset is saved in the Players' Lounge bank (assigned to the button held) and it is automatically activated. NOTE: The previous contents of the Players' Lounge preset you are saving to will be overwritten with your new preset. Effect Editing--Advanced A computer with a MIDI capable soundcard, appropriate adapters and a MIDI utility application are required for advanced effect editing. Using a computer you can edit effect parameters that are inaccessible through the Cyber­ChampTM front panel controls. Your modified effect can then be saved to a Players' Lounge preset and used in the modified form using the front panel controls (See Advanced Effect Editing on page 10). w w w. f e n d e r. com w w w. m r g e a r h e a d . net +­ + ­ +­ + ­ ­ + ­ ­ + ­ + ­ + + MIDI 9 3 MIDI MIDI IN OUT ­ + ­ + This section describes the Musical Instrument Digital Interface (MIDI) capabilities of the Cyber-ChampTM amplifier. The Cyber­ChampTM amplifier supports the MIDI standard using the MIDI IN and OUT jacks on the front panel, both 5-pin DIN jacks. The amplifier uses Channel Messages and System Exclusive Messages to accomplish the following tasks: Channel Messages See the MIDI Implementation Chart on page 14 for details. Switching Tuner and Effects On/Off You can switch the tuner on and off using MIDI program change 127 in any bank (00, 01, 02). You can switch the effects (Modulation and Delay) on and off using continuous controller 85--any value between 64 and 127 turns effects on and any value between 0 and 63 turns effects off. Reverb is not affected. See the MIDI Implementation Chart on page 14 for details. Echoing Control Changes You can control two or more Cyber­ChampTM amplifiers as one by linking their MIDI ports together. Connect MIDI OUT on the primary amplifier to MIDI IN on the auxiliary amplifier and so on down the line. The first time each knob is used you must capture it on all amplifiers before you can adjust the setting on all amplifiers. To ensure that you have captured a particular setting on all amplifiers, turn the knob through its full range of values, then to the desired value. [. . . ] m r g e a r h e a d . net 14 Appendices 4 Appendices Appendix FUNCTION Basic Channel Mode Note Number Velocity After Touch Pitch Bender Control Change Program Change System Exclusive System Common System Real Time Auxiliary Messages 1 Default Changed Default Messages Altered Note Number True Voice Note ON Note OFF Keys Channel MIDI Implementation Chart TRANSMITTED 1 X Mode 3 X X X X X X X X X O RECOGNIZED Omni X Mode 2 X X X X X X X X X O REMARKS Transmit Channel is fixed at 1. Mode 1: Omni On, Poly Mode 3: Omni Off, Poly O O 0 ­ 6, 10-16, 20-26, 0 ­ 6, 10-16, 20-26, 30-36, 40-46, 50-56 30-36, 40-46, 50-56 O O Song Position X X Song Select X X Tune Request X X Clock X X Commands X X Local On/Off X X All Notes Off X X Active Sensing X X System Reset X X GM ON X X Mode 2: Omni On, Mono Mode 4: Omni Off, Mono Implemented True # Continuous Controller Number is fixed at 11. Program changes to program 127 (any bank) activates/deactivates the Tuner. See Appendix 2, 3, 4 O: Yes X: No NOTES: The Cyber­ChampTM amplifier does not recognize or transmit System Common messages. All knob adjustments (even knobs not captured) are transmitted via MIDI OUT. [. . . ]