User manual FENDER MX5232

[. . . ] All volume levels and frequency shaping can be controlled via the remote panel allowing for adjustments from the "performance position". The versatile input panel and detachable remote control unit combined with the 100 watt power amplifier makes the PowerStage 100 the perfect general purpose compact sound system. With phantom power, 1/4 inch phone TRS and 3-Pin XLR female input connectors and a stereo RCA input connection, the PowerStage 100 can accommodate almost any input signal. By connecting a multieffects unit through the insert jack and adding the optional PowerStage Xpander 100, you now have a PA system ready for any small club or intimate setting. WARNING: - TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. [. . . ] HIGH NOTCH - Designed to attenuate feedback or other bothersome hums, the HIGH NOTCH control is a constant Q, variable center frequency filter. By slowly rotating the knob to locate the feedback frequency, it can be diminished. Caution: Prolonged listening at high volume levels may be hazardous to your hearing and could possibly cause hearing damage. A B C H J D D. MASTER LEVEL - Adjusts the overall volume level of the PowerStage 100. If the optional PowerStage Xpander 100 is connected to the system, the master level also controls the output volume for the other unit. I. ENHANCE - Pressing this button in provides an increase in the bass and treble response of the PowerStage 100. I 4 INPUT PANEL FUNCTIONS A. Phantom Power supply is activated, necessary for some condenser style microphones. Before plugging or unplugging any microphone, make sure the Phantom Power supply is off. This three pin XLR balanced female input connector is intended for input signals from low impedance microphones. MIC 2 IN - An additional balanced microphone input for the PowerStage 100. Both the MIC 2 IN and the INST jack can be used simultaneously, however, any adjustments to the MIC 2 / INST control knob will affect the volume of both the Mic 2 and Instrument inputs. First, turn all outboard gear, instruments and other equipment ON, then the PowerStage 100. Adjust volume levels to the appropriate levels, listening for feedback or other ringing. If feedback is encountered, rotate the appropriate (LOW or HIGH band) frequency notch filter control down to its lowest position. Next, slowly turn the frequency control knob to pinpoint the location of the problem frequency and cancel it. Steps 7 and 8 may need to be performed more than once if several feedback problems occur. For more detail on setting up your PowerStage 100, please refer to the diagrams on pages 8 thru 11. 1/4" TS Unbalanced Input 1/4" TRS Dual RCA 1/4" TRS 1/4" TRS Balanced Input Unbalanced Inner Ring = Signal Outer Shell = GND Input Unbalanced Tip = Send (output) Input/Output Ring = Return (input) Sleeve = GND Unbalanced Output Tip = Signal Output Ring = Terminated 100 to GND Sleeve = GND LINE OUTPUT 6 GROUNDING AND HUMS Ground loops are probably the most common cause of hum and buzz in sound reinforcement systems and other audio products. A ground loop usually occurs if the separate pieces of equipment are plugged into different AC circuits. Also, if the audio wiring is placed too close to the power cords, hums or buzzes can bleed into the system. Still, improperly maintained power and audio cables are yet another cause of bothersome noise. In order to help minimize stray hums and buzzes, here are some helpful hints. Keep all electronics connected to the sound system on the same electrical circuit. [. . . ] Avoid spilling liquids on the operating surface, heat sink, grille, volume and tone controls, switches and speakers. ALWAYS unplug the PowerStage 100 before cleaning it and wait until it has dried before plugging in the PowerStage 100. 7 SIMPLE MONITOR SET UP 1. Next, connect a cord from the Mic 1 out jack to your main mixing console. Remember, turning up the Mic 1 Volume will NOT affect the output of the main P. A. [. . . ]