User manual DIGIDESIGN PRE ANGLAIS

[. . . ] PRE Guide Remote Controllable 8-Channel Mic Preamp Digidesign 2001 Junipero Serra Boulevard Daly City, CA 94014-3886 USA tel: 650·731·6300 fax: 650·731·6399 Technical Support (USA) tel: 650·731·6100 fax: 650·731·6384 Product Information (USA) tel: 650·731·6102 tel: 800·333·2137 International Offices Visit the Digidesign Web site for contact information Web Site www. digidesign. com Copyright This guide is copyrighted ©2002 by Digidesign, a division of Avid Technology, Inc. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Digidesign. DIGIDESIGN, AVID and PRO TOOLS are trademarks or registered trademarks of Digidesign and/or Avid Technology, Inc. PN 910609434-00 REV A 06/02 Warning! Communications & Safety Regulation Information Compliance Statement The model PRE complies with the following standards regulating interference and EMC: · FCC Part 15 Class A · EN55103 ­ 1, environment E4 · EN55103 ­ 2, environment E4 · AS/NZS 3548 Class A · CISPR 22 Class A Radio and Television Interference This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. [. . . ] To connect your PRE to your Pro Tools system: s 2 Connect a MIDI cable between the MIDI In port on your PRE and the MIDI Out port on your MIDI interface. 3 For additional PREs, daisy-chain them by connecting the MIDI Out port on the first PRE to the MIDI In port of the second PRE, and so on. For multiple PRE MIDI cabling considerations, see "Installations with Multiple PREs" on page 16. Setting PRE MIDI Channel To set global receive/transmit MIDI channel: 1 If you haven't done so already, connect AC power to PRE. The LED should be lit; if not, press and release again. Connect PRE outputs to analog inputs on your Digidesign audio interface (for example, to connect PRE to a 192 I/O, use a DB-25 cable to connect the PRE outputs to the Analog Inputs on the 192 I/O). For installations with multiple PREs, repeat the above step. For each PRE output, note the respective audio interface input channels, as these will be the physical inputs you map PRE outputs to in Pro Tools. For example, PRE outputs 1­8 attached to a standard 192 I/O map to analog inputs 1­8; however, PRE outputs 1­8 attached to the second A/D card on a 192 I/O represent analog inputs 9­16. The Gain/Param display will display the current MIDI channel (1­16). 4 Turn the Gain/Param control clockwise to increment MIDI channel numbers, or counterclockwise to decrement channel numbers. The MIDI channel will be set once you stop moving the control; you do not need to press an Enter key to set the channel. 5 To exit MIDI Channel mode, press MIDI Chan MIDI Connections The following are basic instructions for connecting your PRE to a MIDI interface for remote control. Before you connect PRE MIDI Ins and Outs, connect and configure your MIDI interface according to the manufacturer's instructions, if you have not done so already. To connect a PRE to the MIDI interface: 1 Connect a MIDI cable between the MIDI Out port on your PRE and the MIDI In port on your MIDI interface. again. 6 Repeat the above steps for additional PREs. Installations with Multiple PREs To control multiple PREs via a single MIDI port, set each unit to a unique MIDI channel number. Keep in mind that if PRE units are set to the same MIDI channel on a single MIDI port, their controls will operate in a "linked" fashion-- changing a setting on one unit will change the setting on all units. 16 PRE Guide With a multi-port MIDI interface, every unit must be daisy-chained from a single port on your MIDI interface. Connect the MIDI Out port of the MIDI interface to the MIDI In port of the first PRE, then connect the MIDI Out port of the first PRE to the MIDI In port of the second PRE, and so on. Make sure to connect the MIDI Out port of the last PRE to the MIDI In port of the MIDI interface. 3 Shut down the computer. 5 Turn off PRE 6 Turn off any synchronization, MIDI, or other peripherals or interfaces. 7 Turn off your drives. With multiple PREs, it is easier to keep track of each unit in Pro Tools by setting MIDI channels in ascending order, in relation to the physical position of the PREs (for example, in the order they are stacked in a rack). Configuring OMS for Your PRE Before using a PRE with Pro Tools, you must first configure it as an OMS device. If you are installing OMS for the first time, refer to your Getting Started with HD Guide. If you are not familiar with OMS, OMS devices, or how to configure OMS Setup, refer to the OMS documentation included on the Pro Tools CD-ROM. To configure your PRE in OMS: Powering Up Pro Tools System In order for Pro Tools to communicate properly with audio interfaces and other peripherals, it is important that you start up and shut down your system in the following order: Power up your system in this order: 1 Turn on your Pro Tools hard drives. Wait ap- 1 Launch OMS Setup from the Finder or from within Pro Tools (choose Setups > OMS Setups). 2 If you are configuring PRE and a MIDI interface, choose File > New Studio Setup. The MIDI Device Info dialog opens. proximately ten seconds for them to spin up to speed. 2 Turn on PRE. 6 Turn on your speakers or other monitor system last. Power down your system in this order: 1 Turn off your speakers or other monitor system. [. . . ] For the current Mic Preamp channel, the 4-character displays above encoder scribble strips 1­8 show the Mic Preamp parameter or value. When Individual Channel mode is active, Data Encoder scribble strips 1­8 display Mic Preamp status, as follows: · If the channel with focus has a Mic Preamp, the display updates with PRE parameter names or values (see the table, below). · If the channel with focus does not a have a Mic Preamp, the LED display updates with the following message: "No Mic Pre Assigned To This Channel. " Channel-Wide Gain Control Mode This mode dedicates the Control|24's Data Encoders for changing gain level on any Mic Preamp in Pro Tools that has been mapped to a physical input which is assigned to an input path that one of the tracks in the session is using. For each channel with a Mic Preamp, the LED ring around the encoder displays an approximation of the current input gain value. [. . . ]