User manual BIAS SOUNDSOAP 2

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Detailed instructions for use are in the User's Guide.

[. . . ] SoundSoap 2 Version 2. 0 Software User's Guide TM 2 SoundSoap 2 User's Guide INSTALL LICENSE AGREEMENT This legal document is an agreement between you, the end user ("YOU" or "LICENSEE"), and BIAS, Inc. BY CLICKING "INSTALL" ON THE FOLLOWING DIALOG, YOU ARE AGREEING TO BECOME BOUND BY THE TERMS OF THIS AGREEMENT, WHICH INCLUDES THE SOFTWARE LICENSE AND THE SOFTWARE DISCLAIMER OF WARRANTY (collectively the "Agreement"). CLICK "QUIT" ON THE FOLLOWING DIALOG IF YOU DO NOT ACCEPT THE TERMS OF THIS AGREEMENT. THIS AGREEMENT CONSTITUTES THE COMPLETE AGREEMENT BETWEEN YOU AND BIAS, INC. [. . . ] In this example, we'll use multiple noise reduction tools, in a suggested order, so as Chapter 4 Noise Reduction knob to the right (clockwise). You should hear the broadband noise begin to fade away, leaving behind only the desired audio signal (music, voice, etc). At this point, click the 60Hz Hum Removal button to eliminate the low-frequency hum. If the audio content you're working with is just a person's voice (dialogue, a cappella singing, etc), you would also click the Preserve Voice button to automatically help filter any noise that lies outside of the frequency range of the human voice. Much of the unwanted noise should now be eliminated (or greatly reduced). In some instances, when working with degraded media sources, you may wish to use the Enhance slider to help restore tonality that was present in the original recording. The Enhance slider is recommended as a final processing step, when all other settings have been made. Following this basic "left to right" order of operations will allow you to achieve quick and easy noise reduction results. In cases where you only have one type of noise (ie, clicks and crackles, broadband noise, hum), simply use the tools that are needed, and leave the others in the "Off " position. Sampling Broadband Noise Often, the noisy media that you encounter will have areas where there is just the undesired noise present, and none of the audio signal that should be kept. A simple but very common example would be video footage of an interview ­ this situation would contain spoken word, interspersed with silence (or what should be silence, except for the undesired noise). In cases such as this, the "silent" areas will contain the same noise that gets in the way of us hearing the voice of the person being interviewed. These silent sections of the file allow us to sample just the noise itself, essentially telling SoundSoap 2 what to remove from the entire file. The end result is that the undesired noise is reduced equally in all parts of the file, making the desired audio signal much cleaner. In other cases, there may not be an area present in your media file that contains just the undesired noise. In media files that contain the desired audio and undesired noise throughout the entire length of the file, it is often best to first experiment and learn the noise in different parts of the file to get the best noise reduction results. This can be Media file (shown in BIAS Peak) with good target area selected for noise sampling tains just the undesired broadband background noise. ­ the selected portion of the waveform in this area con- 38 SoundSoap 2 User's Guide done by clicking the Learn Noise button in various parts of the file as it plays, or by positioning the playhead cursor in your host program in a specific location, clicking the Learn Noise button, and starting playback. When you find the settings that work best, you can then apply, or render them, to the entire file. with the cassette hiss by itself, then the next best option for "learning" the noise is to use SoundSoap 2's Learn Noise feature in a part of the file where the desired audio content is at its lowest level, compared to the level of unwanted noise. If in the noise sampling process it seems that different settings would work best for different parts of the file, consult the next section. In some cases, you may have an isolated section of broadband noise which is shorter than the two seconds that SoundSoap 2 needs to "learn" the profile of frequencies responsible for this noise. In these cases, a useful technique is to "loop" the very short section several times, until SoundSoap 2 can analyze the audio content for two seconds and determine the noise profile. For example, let's say we're working with a cassette recording, and the only sections where the noise exists by itself is in the pauses between songs. Creating a loop in one of these sections, and then clicking the Learn Noise button and initiating playback, will loop this section of the file over and over. [. . . ] In this example, we'll be using Premiere Pro as a host program, and we'll be cleaning up a noisy video clip. 4 The steps below outline using SoundSoap 2 as a real-time VST format plug-in, within the Premiere audio mixer. SoundSoap 2 may also be used as an "offline" effect, by dragging the SoundSoap 2 effect from the Project window onto a noisy media clip placed in the timeline. For more information on using SoundSoap 2 as an offline effect, please consult the Premiere Pro user's guide ­ SoundSoap 2 is applied in the same way as other offiline effects. 6. Once SoundSoap 2 is added as an insert, right-click on its name in the active insert, and choose Edit. . . [. . . ]

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