User manual BIAMP OLYMPIA

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Manual abstract: user guide BIAMP OLYMPIA

Detailed instructions for use are in the User's Guide.

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( *- ! $ : % & $ " (15) ) # ) # 9 ; ) # ) # 2& & $ " "# & && $ %"$ ' $/' $ 9 "&"$" ; (). *()0* : 0 ; : 1 ( *- ! $ : % & $ " aux 5 (16) aux 6 1 2 ) # ) # 9 ; ) # ) # 2& 2& ' " "" & . 1. *"$ 9;' & $ " "# & && $ %"$ $/' " ( 9 "&"$" ; ()1* 2- A ' " *"$ 2& $ " ) # (17) 3 4 (18) L-R ) # A " *"$ " ' 2& $ " " ) # ) # 9 "&"$" ; (19) pan (20) (21) mute solo (22) 2 STANDARD INPUT CHANNEL CONTROLS ___________________________________________________________________________ (1) (2) +15 -- 1 5 (), *()3* : , ; : 3 ( *- ! $ : % & $ " (3) (4) (5) trim pad mic line ) # ) # 9 ; ) # ) # 2 & & $ " "# & "' ( ' $ 9 "&"$" ; ()6* )< . < 0< ; 1 (% !$ !5*- A ' *"$ (6) high 1. 2k (7) 200 600 10k 2& $ " $"% )" *"$ * "' & %" $ ' & $ $ 9" %$ C' " C' $; "%" " ( "# ' " " " ' , & 3" " 9 ; )" " && $ ( . !$ !5*- A ' " *"$ 2& gain high mid freq (8) 100 5k low mid (9) low (10) aux 1 (11) aux 2 (14) post pre $ " " $( , & 3" " 9 ; ! & $ " $ "% ( , & 3" " " " ( . [. . . ] $ & ( $$/*" ' ( 3" " $ "% $ " A" . $ $ ' , & 3" " $ "% 8 & $ " ! " &$"" "#" & ' * . $ " &1" """ & $ " * , & 3" " ! " %" & , & 3" " " 9 ; ! & ' * "#" & "" $ " $( , & 3" ". ( & 2 & & 2" " , & 3" " 9& $"" $ "/ ;. ( $ "# " , & 3" " 9& $"; * " " $" & ( ()8* - ! " $ " & $ " $ "% ( , & (12) aux 3 (13) aux 4 3" "' * $ *" " )" *"$ 9; . ( " $ "# "( " $ " $"&"$ (. 9* - A ' " *"$ && $ " # ' (15) aux 5 ' , & 3" " && $ 9; $ . $ 9 $ ; (. )* - A ' " *"$ 2& $ " (16) aux 6 1 2 ( & "" 9 ; ! :$ , ?7 ""$ * " " " && $ ( 9; @ 9; ! & ' $ " ( " % * $ " * (. . * ( 5*- ! " " $ : % & $ " (17) 3 4 (18) L-R $ , & 3" "' * 2& # @ " *" %( & $ $ ' " " "# >* % ' & &$ ' " @ " $ D D / 9 "( "; (19) pan (20) (21) mute solo (22) 3 STEREO INPUT CHANNEL CONTROLS ___________________________________________________________________________ (1) (2) +15 -- 1 5 stereo ()* +), (# !*- ! " , ?7 ""$ " % " $ (3) $ 0< 9< * $""; @ &$ ' : !" $ 9; . / "$ & ( $$" / " " % (. * /), (!$ !*- ! " , ?7 ""$ " % " $ trim source (4) A B " % 2< 9 " % ; +$ !" $ 9; : ' " ""$ *" " " * % " " " $ (0* !%- ! " $ %" < & " : $ & "&& (5) " " % @ &$ ' : " $ . / "$ 9; & ( $$" / " " % (1* (2*- A ' " *"$ $ " " D)D " treble $ & $ A " *"$ " ' " " D<D $ " $ & $ 9 $ ; (6) bass (, * - ! " $ : " & 8 $( 8 "4" 9! ; & $ ' && $" & " " 8 ( ! " %" &" *" 012< & " &"# & 8 $( & />4 (3* - ! " $ : * & 8 $( 8 "4" 9<; & $ ' (7) aux 1 && $" & " " 8 ( < " %" &" *" 012< & " &"# & 8 $( & >4 (6*(7* : ) ; : . ( *- ! $ : % & $ " (8) aux 2 (11) post pre ) # ) # 9 ; ) # ) # 2 & & $ " "# & && $ %"$ ' $/' $ 9 "&"$" ; ) # ) # & & " $ " (8*()9* : 0 ; : 1 ( *- ! $ : % & $ " ) # ) # 9 ; ) # ) # 2& 2& ' " "" & . 1. *"$ 9;' & $ " "# & && $ %"$ $/' " ( 9 "&"$" ; ) # ) # & & " $ " ())* 2- A ' " *"$ 2& $ " ) # (9) aux 3 (10) aux 4 (12) aux 5 ) # A " *"$ " ' 2& $ " " ) # ) # 9 "&"$" ; (13) aux 6 1 2 (). *()0* : , ; : 3 ( *- ! $ : % & $ " (14) 3 4 ) # ) # 9 ; ) # ) # 2 & & $ " "# & "' ( ' $ 9 "&"$" ; ) # ) # & & " $ " (15) L-R (16) balance (17) (18) mute solo stereo (19) 4 STEREO INPUT CHANNEL CONTROLS ___________________________________________________________________________ (1) (2) +15 -- 1 5 stereo ()1* )< . < 0< ; 1 (% !$ !5*- A ' *"$ (3) trim source (4) A B & & " 2& $ " $"% 9 ; )" *"$ * "' & %" $ ' & $ $ 9" %$ C' " C' $; "%" " ( "# ' " " " ' , & 3" " 9 ; )" " && $ ( <$ $ 9; (), * / (!!$ !5*- A ' " *"$ 2& (5) treble (6) bass (7) aux 1 $ " " $( , & 3" " 9 ; ! , & " $ "% & $ " ( ! 3" " $ "% " $ " ( ! & & " $ " $ "% ( , & 3" " " " ( <$ $ 9; A" <$ $ & ( $ 2 $$/*" ' ( , & " $ "% 9 &; $ " A" <$ $ & ( $$/*" ' ( 3" " $ "% 9" ; $ " A" <$ $ $ ' , & " $ "% & $ " 3" " $ "% " & " $ " ! " &$"" "#" & ' * <$ $ " &1" """ & $ " * , & 3" " ! " %" & , & 3" " " 9 ; ! & ' * "#" & "" $ " $( , & 3" " <$ $ " $ %" ( & " ()3* - ! " $ " & & $ " $ "% ( (8) aux 2 (11) post pre (9) aux 3 , & "' % & " $ " $ "% ( 3" "' * $ *" " )" *"$ 9; <$ ( " "& &1" """ & $ " *" " "#' "( & " $ " ()6* - A ' " *"$ && $ " # ' (10) aux 4 ' , & 3" " && $ 9; ()7* - A ' " *"$ 2& $ " (12) aux 5 ( & "" 9 ; ! :$ , ?7 ""$ * " " " && $ ( 9; @ 9 ; ! & ' $ " ( " % * $ " * " & & " $ " ()8* ( 5*- ! " " $ : % & $ (13) aux 6 1 2 (14) 3 4 " $ , & 3" "' * 2& # ! @ && $ & " $ " 8 ( @ " *" %( & $ $ ' " " "# >* % ' & &$ ' " & " $ D D / 9 "( "; (15) L-R (16) balance (17) (18) mute solo stereo (19) 5 SUBMASTER CONTROLS ___________________________________________________________________________ ()* - ! " * % 2 ' / " , ?7 "( " % & +8 +5 +3 +1 0 --1 --3 --5 --7 --10 --15 --20 $"% ) # ' " "" & $ *"$ 9; " & D D ""$ % & 0< A D0D ""$ & ' < & " & $"" > " $ ( < * $ 9 $ ; (. * !- ! " $ %" $ *"% : & D D & $ (1) % & $"% " " &$( & 0< ' ( : ( & $ % & 2< 0< (0* )/12: )/1 ( !5*- A ' " *"$ (2) " A " *"$ " ' ) # " " 9 $ ; (1* : )/1- ! " $ : % % & " & $"% meter calibrate (3) sub 1 aux 1 (4) aux 1 $ # $" ) # 2 9 $ ; ) # && $ " $ *"$ 9; 9; @ &$ ' ("$ " & $ # % $ $ E$$/ "" (, * - A ' " *"$ $"% ) # " (5) solo ( & "" 9 ; ! :$ , ?7 ""$ * " " " && $ ( ) # $ 9; (6) (3* )/1- ! " $ : % & " & $"% 3 return 1 " 9 $ ; , & 3" "' * "$ % $ *" )" *"$ 9; 9; 3 " & #""( " % "' $ && $' $/' "# ' $ (6* - ! " $ " & 3 " $ "% ( , & (7) pan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left right sub 1 sub 2 sub 3 sub 4 aux 1 aux 2 aux 3 aux 4 aux 5 aux 6 solo relay patch out/in +48V trim low high low mid mid high solo mic/line phantom power pad input xfmr (opt. ) mic input (low z) RF trap -20dB 4-Band EQ mic preamp fader mute pan L-R assign line input (high z) RF trap z-match -15 dB Submasters 1 thru 4 low mid high mid freq freq submaster assign sub 1 sub 2 sub 3 sub 4 patch out/in mute signal detect aux 1 solo fader +6 sub output (balanced) Input Channels -15 dBu +15 dBu pan L-R assign aux 2 post aux 3 mute Aux Send jumper options not shown pre LED meter aux 4 sub aux 5 aux aux 6 Aux Sends 1 thru 6 aux send level Stereo Input A Left Right trim bass treble fader A / B select switch Stereo Input B Left Right submaster assign sub 1 sub 2 sub 3 sub 4 -15 dBu +15 dBu aux 1 signal detect aux 2 post aux 3 pre Aux Send jumper options not shown left aux 5 left patch out/in right aux 6 left tape output aux send output (balanced) +6 solo solo mute balance L-R assign EQ LED meter Stereo Input Channel Left left fader +6 left output (balanced) aux 4 aux 5 right patch out/in aux 6 Right Returns 1 thru 4 mono return return level pan L-R assign right tape output right fader +6 right output (balanced) submaster assign sub 1 sub 2 sub 3 sub 4 Mono mono patch out/in mono fader Stereo Returns 1 & 2 stereo return return level (stereo) balance L-R assign +6 mono output (balanced) Talkback Microphone talkback mic input (low z) talkback level push-to-talk L-R assign LED meter mono mic preamp aux send assigns solo aux 3 aux 4 aux 5 aux 6 Solo solo level headphones level headphones (600 ohms min) left right sub 1 sub 2 sub 3 sub 4 aux 1 aux 2 aux 3 aux 4 aux 5 aux 6 solo relay solo relay & LED 19 left right solo relay Patch/Direct Out jumper option not shown WARRANTY ___________________________________________________________________________ BIAMP IS PLEASED TO EXTEND THE FOLLOWING 1-YEAR LIMITED WARRANTY TO THE ORIGINAL PURCHASER OF THE PROFESSIONAL SOUND EQUIPMENT DESCRIBED IN THIS OWNER'S MANUAL. <). ( # ( * " $ & & & $ " " */ " & " & -?)3 & & $ * $ & "4 <). &*" $"" ! . $ " " & $ " "" <). ' *" " ( & $ ' $ *( "$" % * <). [. . . ]

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