User manual BEHRINGER UCA222

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Manual abstract: user guide BEHRINGER UCA222

Detailed instructions for use are in the User's Guide.

[. . . ] 3 Hardware connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Controls and Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Software Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Basic Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Application Diagrams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] [7] OFF/ON MONITOR ­ With the MONITOR switch OFF, the headphone output receives the signal from the computer over the USB port (same as the RCA output jacks). With the MONITOR switch ON, the headphones receive the signal connected to the RCA INPUT jacks. [8] USB CABLE ­ Sends information to and from your computer and the UCA222. It also provides power to the device. Application Diagrams Software Installation · This device requires no special setup or drivers, just plug it into a free USB port on a PC or Mac. · The UCA222 comes with a free version of Audacity editing software. · For other audio needs, such as advanced editing, instrument recording, sequencing, etc. , energyXT2. 5 Compact BEHRINGER edition is also included. Note ­ When the UCA222 is bundled with other BEHRINGER products, the included software may vary. In the instance that the ASIO drivers are not included, you may download these from our website at www. behringer. com. Using a mixer to record in a studio environment: Basic Operation The UCA222 provides an easy interface between your computer, mixer and monitoring system. Connect the UCA222 to the computer by plugging the USB cable into a free USB port. Connect the audio source that is to be recorded, such as a mixer, preamp, etc. a pair of headphones into the " PHONES jack and Plug adjust the volume with the adjacent control. You may also monitor the output by plugging a pair of powered speakers into the OUTPUT stereo RCA jacks. may also send the stereo signal in digital audio format You (S/PDIF) to an external recording device via the OPTICAL OUTPUT using a Toslink fiber optic cable. The most common application for the UCA222 is doing studio recording with a mixer. This will allow you to record several sources at once, listen to the playback, and record more tracks in sync with the original take(s). · Connect the mixer's TAPE OUT to the INPUT RCA jacks on the UCA222. · Connect a pair of powered monitor speakers to the UCA222 OUTPUT RCA jacks. Depending on what type of inputs your speakers accept, you may need an adapter. · You may also monitor the input signal with a pair of headphones instead of or in addition to the monitor speakers. Plug a pair of headphones into the PHONES jack and adjust the volume with the adjacent control. This will be preferable if the mixer and computer are in the same room as the instruments being recorded. · Take some time to adjust each channel level and EQ to ensure a good balance between the instruments/sources. Once the mix has been recorded you will be unable to make adjustments to just one channel. [. . . ] obtain warranty service, the buyer (or his authorized dealer) must To call BEHRINGER during normal business hours BEFORE returning the product. BEHRINGER will then issue a return authorization number. § 6 Warranty transferability This warranty is extended exclusively to the original buyer (customer of retail dealer) and is not transferable to anyone who may subsequently purchase this product. No other person (retail dealer, etc. ) shall be entitled to give any warranty promise on behalf of BEHRINGER. [2]. Subsequently, the product must be returned in its original shipping carton, together with the return authorization number to the address indicated by BEHRINGER. [3]. [. . . ]

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