User manual BEHRINGER UBB1002

[. . . ] Power Source: The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance. Grounding or Polarization: Precautions should be taken so that the grounding or polarization means of an appliance is not defeated. Power-Cord Protection: Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords and plugs, convenience receptacles and the point where they exit from the appliance. Cleaning: The appliance should be cleaned only as recommended by the manufacturer. [. . . ] For battery operation, youll only need two commercial 9-V batteries of the 6LR61 type. Insert the batteries in the battery compartment on the bottom side of the unit. To use the phantom power supply, please insert another battery in the separate phantom power section of the battery compartment. Your UBB1002 operates about 4 hours from high-grade alkaline batteries (see chapter 3). Uli Behringer + 4 When the unit is not in use or operates from mains power, please remove the batteries! 1. INTRODUCTION EURORACK UBB1002 1. 3 Control elements 1. 3. 1 Interface panel Use this balanced XLR jack to connect a microphone to the UBB1002 (applies to channels 1 through 7/8). The stereo channels 3/4, 5/6, and 7/8 differ from channels 1 and 2 not only with regard to the connectors provided. you can connect a microphone and a stereo line signal at the same time! + The phantom power required for condenser mics + can be activated with switch . Please note that in battery-operated mode the phantom power provided is only +18 V!Channels 1 and 2 feature an additional LINE input on a balanced 1/4" jack. The INSERT jack allows you to insert, for example, a compressor or equalizer in the mono channels. These are the two balanced LINE inputs on 1/4" jacks for the left and right sides of the stereo channels, which can be used in parallel to the microphone inputs. Use the TAPE OUT jacks to connect, for example, a tape deck for recording applications. The TAPE IN jacks (on stereo RCA and 1/4" jacks) allow for the connection of play-back devices such as CD players, etc. Use the PHONES jack to connect a commercially available pair of headphones. These are the balanced 1/4" jack MAIN OUTPUTS of your UBB1002 that can be used to drive, e. g. The MON SEND connector provides the monitor signal of your UBB1002, for example, to control a monitor amplifier or active monitor speaker. Connect the FX SEND connector to the input of an external effects device. However, you can connect the outputs of an external effects device to the 1/4" jack inputs of the stereo channels or channels 9/10. In this case, the stereo channels FX control must be set to -oo to avoid any feedback problems. When you connect a microphone to a stereo channel on the UBB1002, the input gain is governed by the GAIN MIC control!The BAL control performs two functions: When you connect a microphone via the XLR connector, or another signal source via the L/MONO jack, the BAL control determines the signal position on the stereo basis. When both 1/4" jack inputs (L & R) are used, the BAL control adjusts the volume balance of the two sources connected. Except for the GAIN MIC control and a different set of connectors, the channels 9/10 feature the same control elements as the stereo channels. See & and through . 1. 3. 3 Main section The LEVEL DISPLAY reads the output level of your UBB1002. [. . . ] § 5 WARRANTY TRANSFERABILITY This warranty is extended exclusively to the original buyer (customer of retail dealer) and is not transferable to anyone who may subsequently purchase this product. No other person (retail dealer, etc. ) shall be entitled to give any warranty promise on behalf of BEHRINGER. § 6 CLAIM FOR DAMAGES Failure of BEHRINGER to provide proper warranty service shall not entitle the buyer to claim (consequential) damages. In no event shall the liability of BEHRINGER exceed the invoiced value of the product. [. . . ]