Detailed instructions for use are in the User's Guide.
[. . . ] The EQ's on British consoles from the 60s and 70s are what many engineers believe does their sound the best justice. When it comes to tweaking your sound, they're kind, gentle and above all, musical. It's like drinking a fine scotch instead of fortified wine--or maybe receiving a warm hug instead of a kick to the crotch. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. [. . . ] This section also includes AUX SEND jacks for connection to monitors, CD/TAPE input and output jacks, and FX send/return jacks for use with outboard effects processors. Directly below, you'll find the ¼" headphone/ control room out jack.
Live Performance Setup
EUROLIVE F1220A Monitor mix 1 EUROLIVE F1220A Monitor mix 2
AUX SENDS 1-4 MDX4600 Bass Guitar MDX4600 Acoustic Guitar BDI 21
ADI 21
EUROLIVE F1220A Monitor mix 3
EUROLIVE F1220A Monitor mix 4
Drums Keyboard Inserts AUX SENDS 5-8 DSP2024P
Electric Guitar V-AMP3
Synth Module
AUX RETURNS 1-4 CD/TAPE OUT
DSP2024P
ULTRAVOICE XM8500 mics (horn section)
CD/TAPE IN MAIN R OUT MAIN L OUT
Tape/CD recorder
DCX2496 Low L Low R ULTRAVOICE XM8500 mics (vocals) High L High R
EP2000 High L High R
B2520 PRO B2520 PRO
Keyboards Keyboards Drums Drums Guitars Horns Bkgd Vocals Lead Vocals MAINS SUB 1-2 button pressed, PAN channels left, GROUP 1 SUB 1-2 button pressed, PAN channels right, GROUP 2 SUB 3-4 button pressed, PAN channels left, GROUP 3 SUB 3-4 button pressed, PAN channels right, GROUP 4 SUB 5-6 button pressed, PAN channels center, GROUP 5 & 6 SUB 7-8 button pressed, PAN channels center, GROUP 7 & 8
EP4000 Low L Low R
Pan channels to usual values for a live drum kit. Pan left channels to L and right channels to R
HPS3000 B1800X PRO
B1800X PRO
SX3282 32x8x2 Live/ Studio Mixer
A Million Ways To Change The Channel At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a ¼" input. A phantom power switch located on the back near the main power switch accommodates condenser mics. Each mono channel has a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED. A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling noise occur. The eight AUX dials control the volume of the AUX SEND ¼" output
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signals (more on that below). Stereo channels feature the same functions, but a with dual ¼" inputs and a different EQ. Instead of sweepable mids, stereo channels feature High Mid and Low Mid dials, both with bell center frequencies set at 8 kHz and 800 Hz, respectively.
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Recording Setup
MDX4600 MDX4600 MDX4600 DSP2024P DSP2024P DSP2024P
DSP2024P DSP2024P HA4700 Bass Guitar HEADPHONES HPS3000
Acoustic Guitar
BDI 21 Drums
ADI 21
HA4700 HEADPHONES HPS3000
energyXT2. 5 DAW software available separately
Electric Guitar Electric Guitar V-AMP3 V-AMP3
Keyboard
PX3000 To/From Inserts
PX3000
STEREO INS 1-8 SUBS 1-8 OUT
Synth Module
Computer Tower with Multi-channel Soundcard C-3 Studio Condenser mics (horn section) Tape/CD recorder
CTRL L OUT T-1 Studio Condenser Tubes mics (vocals) CTRL R OUT
TRUTH TRUTH B3031A B3031A Studio Studio monitor monitor
Keyboards Keyboards Drums Drums Guitars Horns Bkgd Vocals Lead Vocals
MAINS
SUB 1-2 button pressed, PAN channels left, GROUP 1
SUB 1-2 button pressed, PAN channels right, GROUP 2
SUB 3-4 button pressed, PAN channels left, GROUP 3
SUB 3-4 button pressed, PAN channels right, GROUP 4
SUB 5-6 button pressed, PAN channels center, GROUP 5 & 6
SUB 7-8 button pressed, PAN channels center, GROUP 7 & 8
Pan channels to usual values for a live drum kit. Pan left channels to L and right channels to R
SX3282 32x8x2 Live/ Studio Mixer
This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals.
(Stereo In section) EIGHT LINE IN-ONLY CHANNELS, Left and right balanced/ unbalanced line level ¼" TRS inputs (stereo channels 25/26, 27/28, 29/30 and 31/32). Master AUX SENDs 1-8 to external effects devices or monitor speakers.
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Near every mono channel's fader you'll find a 1-2, 3-4, 5-6, 7-8 andMAIN button. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the 3-4, 5-6 and 7-8 buttons.
STEREO AUX RETURNs inputs return effect signals from external effects processors.
A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free postEQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listen--depending on whether the signal has been included in a subgroup.
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SUBGROUP inputs. SUBGROUP outputs.
Gold-plated CD/TAPE OUTPUT RCA connectors for output to USB interface/hard disk recorder or DAT. Gold-plated CD/TAPE INPUT RCA connectors for connecting Tape/ MP3/CD players or other line-level devices.
16 mono channels with balanced XLR with XENYX mic preamp and phantom power for condenser mics. Insert I/O for signal processing on individual channels (pre-fader, pre-EQ and pre-aux send). SOLO routes subgroup signal to solo bus (Solo In Place) or PFL bus (Pre Fader Listen). Silky-smooth faders on all channels and buses.
Balanced XLR MAIN outputs.
Balanced ¼" MAIN outputs. MAIN INSERTs for connecting external processor.
12V/5-Watt BNC lamp sockets.
Four-band EQ on stereo channels, with HIGH, HI MID, LO MID and LOW controls. [. . . ] The internal autorange power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption. · Built-in pristine XENYX mic preamps · British-style EQ dials give you the sound and control preferred by top studio engineers · Awesomely complete I/O everything from bus inserts to mono output
XLR connector, electronically balanced, discrete input circuit +48 V DC
EQ STEREO CHANNELS Hi shelving 12 kHz, ±15 dB Hi Mid peaking 3 kHz, ±15 dB, Q fixed at 2 oct. Specifications and appearance may differ from those listed or illustrated.
For service, support or more information contact the BEHRINGER location nearest you: BEHRINGER Australia tel. : +61 3 9877 7170, fax: +61 3 9877 7870 BEHRINGER Germany tel. : +49 2154 9206 4149, fax: +49 2154 9206 4199 BEHRINGER Japan tel. : +81 3 5281 1180, fax: +81 3 5281 1181 BEHRINGER Singapore tel: +65 5845 1800, fax: +65 6214 0275 BEHRINGER USA / CANADA tel: +1 425 672 0816, fax: +1 425 673 7647
©2009 BEHRINGER International GmbH. Technical specifications and appearance subject to change without notice. [. . . ]