User manual BEHRINGER RX1202FX

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Manual abstract: user guide BEHRINGER RX1202FX

Detailed instructions for use are in the User's Guide.

[. . . ] EURORACK PRO RX1202FX User's Manual Version 1. 0 February 2006 DEUTSCH EURORACK PRO RX1202FX IMPORTANT SAFETY INSTRUCTIONS DETAILED SAFETY INSTRUCTIONS: 1) Read these instructions. CAUTION: To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside; refer servicing to qualified personnel. WARNING: To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. [. . . ] Then, route the effects signal back to the mixer over the AUX RETURN connectors. With the MON outputs, you can connect an amplifier/headphones amplifier for the musicians to monitor. When the connected effects device does not receive an input signal, none of the FX controllers are probably turned up, which also applies to the integrated effects -processor. Adjust your external effects processor to 100% wet (effects signal only), because the effects signal is added to the main mix along with the "dry" channel signals. AUX RETURN You can connect the outputs of an external effects device to the AUX RETURN connectors. In this case, the effects signal is routed directly to the main mix bus and is then mixed with the "dry" signal. It is also possible to route the effects signal as mono by using the L connector. You can also use the AUX RETURN connectors as additional stereo input channels, although, in this case, there are no possibilities to control the level, timbre and panning. Fig. 2. 3: Connectors of the main section MAIN OUT The MAIN OUT connectors are balanced and laid out as XLR connectors. According to the way you want to use the mixer and which equipment you have, following devices can be connected: Live PA systems: A stereo dynamics processor (optional), stereo equalizer (optional) and the stereo power amplifier for full-range loudspeakers with passive crossovers. If you wish to use multi-way loudspeaker systems without an integrated crossover, you have to use an active crossover and several power amplifiers. Active crossovers are implemented directly before the power amplifier, and they divide the frequency range into several segments that are first amplified in the amplifiers and then passed on to the corresponding loudspeakers. Recording: For mastering, using a stereo compressor such as the COMPOSER PRO-XL MDX2600 can be recommended. Use it to custom-tailor the dynamic characteristics of your signal to the dynamic range of the recording equipment you are using. The signal is in this case passed on from the compressor into the recorder. CTRL OUT The CTRL OUT connectors are used for controlling the summed signal (effects mix and main mix) as well as for individual signals over studio monitor speakers. By using the PHONES/CONTROL ROOM controller in the main section, you can control the level of both outputs. CD/TAPE IN The CD/TAPE INs are used to bring an external signal source (e. g. They can also be used as a standard stereo line input, so the output of a second EURORACK or BEHRINGER ULTRALINK PRO MX882 can be connected. Alternatively, the line or tape output of a hi-fi amplifier with source selection switch could also be hooked up here, allowing you to easily listen to additional sources (e. g. CONTROL ELEMENTS AND CONNECTORS EURORACK PRO RX1202FX 2. 4 Main section When recording to an analog device, the VU meters of the recording machine should reach approx. Due to their inertia VU meters tend to display too low a signal level at frequencies above 1 kHz. This is why, for example, a Hi-Hat should only be driven as far as -10 dB. [. . . ] Any product deemed eligible for repair or replacement under the terms of this warranty will be repaired or replaced. If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level, in any country which is not the country for which the product was originally developed and manufactured, this modification/adaptation shall not be considered a defect in materials or workmanship. The warranty does not cover any such modification/adaptation, irrespective of whether it was carried out properly or not. Under the terms of this warranty, BEHRINGER shall not be held responsible for any cost resulting from such a modification/adaptation. [. . . ]

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