User manual BEHRINGER REV2496

[. . . ] REV2496 Users Manual Version 1. 0 November 2003 V-VERB PRO ENGLISH V-VERB PRO REV2496 IMPORTANT SAFETY INSTRUCTIONS DETAILED SAFETY INSTRUCTIONS: 1) Read these instructions. CAUTION: To reduce the risk of electric shock, do not remove the top cover (or the rear section). No userserviceable parts inside; refer servicing to qualified personnel. 8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. [. . . ] Together, DRY and FX LVL control the effect mix ratio. The THEATER algorithm is also based on the CONCERT HALL effect and contributes a surprising degree of liveliness. Unlike with the CONCERT HALL effect, the following room types are available for early reflexions (ER TYPE, second EDIT page): THEAT. A special feature of this effect is the ATTACK parameter that lets you determine how quickly the reflections in the reverb tail fade out. Low values produce a sudden fadeout, while high values result in a gradual fadeout with the highest density. Low values describe a relatively linear curve, while high values create a less linear curve progression. This lets you create very interesting decay characteristics. Using ER TYPE (early reflexions type), you can determine the physical location of a recording microphone that is being used in a room. Available are BACK, MIDDLE, FRONT (near the sound source) and BALCON (elevated position). Using ER SIZE (early reflections size), you can increase or decrease the size of the simulated space. Using ER DIFF (early reflexions diffusion), you can adjust the diffusion degree for early reflexions. Value 1 makes individual reflexions clearly audible, while value 30 produces the highest density. With ER DLY (early reflexions predelay), you can further delay early reflexions (depending on room type, size and microphone distance). 4. 3 Gold Plate This algorithm is particularly well suited for drums and percussion. However, singing parts also benefit from the particularly dense reverb tail. The additional four-fold delay lets you create your own early reflexion patterns. The SIZE (room size) parameter determines the size of the simulated space for the reverb generator. This parameter also influences the maximum decay time (RT60) that is adjustable using the DECAY (decay time) parameter. Using the PREDLY (reverb predelay) parameter, you can delay the trigger point for reverb tail. The DIFF (diffusion) parameter determines the reflection density for reverb tail. Low values increase the transparency, while high values produce a softer, more dense reverb tail. Just like with decay in real rooms, reverb tail dampens higher frequencies. The DAMP (dampening frequency) parameter determines the frequency above which dampening kicks in. The BASS value describes a factor that refers to the decay time determined using DECAY (decay time). The BASS F (bass frequency) parameter determines the frequency above which BASS no longer engages. Fig. 4. 3: Effect design for Gold Plate With ER/REV (early reflexions/reverb mix), you can adjust the mix ratio between early reflexions and late decay. [. . . ] If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level, in any country which is not the country for which the product was originally developed and manufactured, this modification/adaptation shall not be considered a defect in materials or workmanship. The warranty does not cover any such modification/adaptation, irrespective of whether it was carried out properly or not. Under the terms of this warranty, BEHRINGER shall not be held responsible for any cost resulting from such a modification/adaptation. Free inspections and maintenance/repair work are expressly excluded from this warranty, in particular, if caused by improper handling of the product by the user. [. . . ]