User manual ALPINE PXA-H700

[. . . ] R EN PXA-H700 MULTIMEDIA MANAGERTM · OWNER'S MANUAL Please read before using this equipment. · BEDIENUNGSANLEITUNG Lesen Sie diese Bedienungsanleitung bitte vor Gebrauch des Gerätes. · MODE D'EMPLOI Veuillez lire avant d'utiliser cet appareil. · MANUAL DE OPERACIÓN Léalo antes de utilizar este equipo. [. . . ] The MX mode can be set from the PXA-H700 using the operation described below. 1 2 3 Press the MX button to set the MX setting mode. In case of "MX OFF", press and hold the MX button for at least 2 seconds to turn the MX mode on. Turn the Rotary encoder to select the desired mode, then press the ENTER button. · When "OFF" is selected, the MX effect is turned off. · The level for the currently selected music source (radio, CD, etc. ) can be adjusted. 2 When combining non Ai-Net head unit products When combining Ai-Net head unit products without MX interlocking function When combining Ai-Net head unit products (DVA-7996R, etc. ) with MX interlocking function considering that "MX mode setting" (page 27) is set to "Manual". In these cases, the PXA-H700 is not interlocked with the head unit, therefore it is necessary to set the MX from the PXA-H700 with the operations below. 1 2 Press the MX button to set the MX setting mode. In case of "MX OFF", press and hold the MX button for at least 2 seconds to turn the MX mode on. 18-EN 3 4 5 6 Turn the Rotary encoder to select the source (media) you want to set, then press the ENTER button. Turn the Rotary encoder to select the desired mode, then press the ENTER button. For further information about setting mode, see step 3 of 1 (page 18). To set other sources (media), press the MX button and return to step 3. Once the settings are completed, press the MX button repeatedly. EN NOTES · Operations cannot be performed when the defeat mode (page 28) is on. setting The sound of the low frequencies can be adjusted to suit your tastes. ES 1 2 3 4 Check that the defeat mode is off. Turn the Rotary encoder to select the desired mode, then press the ENTER button. OFF" can be set in step 3. DE IT 5 SE 19-EN Using Dolby Surround ENTER Rotary encoder PLII/ REAR FILL DISP Using the Pro Logic II mode With the PXA-H700, Pro Logic processing can be conducted on the music signals recorded on two channels to achieve Dolby Pro Logic II surround sound. For two-channel Dolby Digital and DTS signals, there is also a "REAR FILL" function for outputting the signals of the front channel to the rear channel. * If DOLBY PL II MUSIC is selected, the center width can be adjusted with following operations. This function offers the optimum vocal position by adjusting the center channel position between the center speaker and the L/R speaker. (The adjustments established in "Adjusting the acoustic image" (page 24) are ineffective while this function is activated. ) 1) After selecting DOLBY PL II MUSIC, within PLII/ 15 seconds, press and hold the REAR FILL button for at least 2 seconds. 2) Turn the Rotary encoder to select "Center Width ON" or "Center Width OFF", then press the ENTER button. When the setting is turned ON, the optimum vocal position is offered by adjusting the center channel position between the center speaker and the L/R speaker. 3) Turn the Rotary encoder to adjust the level, then press the ENTER button. When the level increases, the center channel position moves from the center speaker position to both side. 4) After the setting, press and hold the PLII/REAR FILL button for at least 2 seconds. NOTES · Avoid stopping, pausing, switching the disc, cueing, fast-forwarding or switching the audio channel of the player while making this adjustment. [. . . ] It is compatible with audio signals from mono (1 channel) all the way up to 5. 1-channel surround sound. The signals for the different channels are completely independent, and since the sound is high quality digital there is no loss of sound quality. Dolby Pro Logic II Dolby Pro Logic II provides multichannel surround sound from any 2 channel source. This new decoder is able to draw out spatial characteristics of the recording without adding tonal coloration or artificial delays that did not exist in the original. [. . . ]